October 12th, 2013
08:50 PM ET
Opinion by the Rev. Nadia Bolz-Weber, special to CNN
(CNN) - The first tattoo I got was meant to set me apart from my conservative suburban Christian community, a way to signify “I don't belong to your tribe.”
Little did I realize that if I lived long enough I’d eventually become mainstream.
Tattoos now cover me from shoulder to wrist, but with the ubiquity of body art today, in many of the places I hang out I look more like a soccer mom than an outlaw.
Even the ill-advised and regrettable tattoos are part of my story, and ultimately, that’s what tattoos are: a way to wear stories–– our mistakes, celebrations, relationships, insights and losses–– on the skin.
Today, as an ordained Lutheran pastor, when I stand behind the altar table on Sundays and lift up the bread and wine and tell the story of the night Jesus gathered with his faltering friends for a meal that tasted of freedom, the arms that lift those common and holy things are themselves, common.
But they are covered in images of the holy.
These tattoos, both the Christian and decidedly non-Christian ones, tell the story of how I became who I am today. An unlikely lady preacher who loves Jesus a lot, but also swears a little.
1. The long-stemmed rose
It was 1986 and I was dating an older man when I got my first tattoo.
He was 20. I was in high school and not legally of age to do many of the things he introduced me to.
The biker dude at the tattoo shop didn’t ask my age. We were in and out of the dingy, little converted bungalow in half an hour. My body was forever altered. As was my attitude. The long-stemmed rose inked on my right hip set me apart. Now I. Was. An. Outlaw. The most Outlaw Church of Christ girl out there.
I don’t show a lot of people that very first tattoo. I tipped the scale at 236 pounds when I was pregnant with my first child, so that long-stemmed rose tattoo, which at the time was the self-affirmation of a really tall teenage girl, is now an unidentifiable blobby stretch mark which can easily double as a Rorschach test. So…what do YOU think this is?
2. The Peace Dove
I would get my second tattoo a year or two later after hitchhiking up Highway 101 to San Francisco from Pepperdine University, where I failed out after a single term, having succeeded more in impressing frat boys with my ability to drink like a man than in actually showing up for class.
I got a peace dove tattooed onto my ankle at the famous Lyle Tuttle Tattoo shop. I fancied myself a revolutionary at the time, and was getting arrested at protests–– when I was coherent enough to show up for them. I wanted to change the world but I had a hard enough time remembering to change my socks.
3. The Snake Goddess
When I was a young adult, everything felt like a crisis, as though my skin was letting too much in. Too many emotions and fears and threats and uncertainties.
I needed my skin to protect me, so I had tattooed on my arm an image of the Snake Goddess from a pre-historic Minoan society. She wore a long skirt, and was shirtless, and in each hand she held snakes above her head.
At 21, I needed to be strong and so I did the next best thing: I pretended I was. I claimed the strongest sacred image of a woman I could find, since my fundamentalist Christian upbringing had nothing helpful to offer in this area, and I knew I needed to borrow something from somewhere holy.
4. Saint Mary Magdalen
I got my first Christian tattoo in seminary: an image of Saint Mary Magdalen taken from Saint Alban’s Psalter, a 12th-century illuminated manuscript.
One hand is opened to heaven, while the other makes a pointing gesture as though to say “Shut the hell up, I have something to tell you.”
The other half of this depiction of Mary Magdalen announcing the resurrection did not fit on my arm. It’s a huddled mass of male disciples with befuddled looks on their faces, several of them pointing stupidly at scrolls.
I’d returned to the religion (but not the denomination) I was raised in, after 10 years searching elsewhere. I was struggling with my call to ordained Christian ministry for many reasons, including my own checkered past and a decidedly non-pastoral personality.
I started to study more about Mary Magdalen, again borrowing strength from a sacred female figure.
On my right forearm is the image of this deeply faithful, yet deeply flawed woman, who, like me, had been delivered from so much, and who had dropped everything to follow Jesus. Jesus, who loves like crazy and eats with all the wrong people and touches the unclean, chose Mary to be the first witness to his resurrection.
She was the one he chose to “go and tell”. Maybe to those more pious and good disciples, she seemed a questionable choice for the job. But Jesus is just like that.
5. The Liturgical Year
As a seminary graduation present to myself, my Snake Goddess was covered by the Advent image of a night sky from which the angel Gabriel announces to Elizabeth and Zechariah that they are going to have a bug-eating desert-dwelling baby boy: John the Baptist.
From this flows images of the church’s entire liturgical year. My arm has turned into a sort of stained-glass window telling the story of Jesus: a nativity for Christmas; Jesus in the desert for Lent; the Marys at either side of Jesus’ crucifixion for Good Friday; the angel and the women at the empty tomb for Easter; and Mary and the apostles with flames on their heads for Pentecost at my wrist.
I didn’t see it as a cover-up of the Snake Goddess as much as a layering of my story. My tattoos create a colorful confession of my journey to the cranky, beautiful faith I hold today.
The enormous image of the Annunciation currently in progress on my back that hides the black scratchy tattoo Jimmy the Junkie gave me in his living room….now that’s a coverup.
But that’s another story for another time.
The Rev. Nadia Bolz-Weber is author of the New York Times Best Selling memoir, "Pastrix: The Cranky, Beautiful Faith of a Sinner & Saint," and the founding pastor of House for All Sinners and Saints in Denver, Colorado.
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